Diane Dammeyer Fellowship in Photographic Arts and Social Issues

The Diane Dammeyer Fellowship in Photographic Arts and Social Issues creates a space for a socially engaged photographer to produce a compelling and dynamic body of work highlighting human rights and social issues.

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The Diane Dammeyer Fellowship in Photographic Arts and Social Issues provides a unique opportunity for a socially engaged photographer to produce a compelling and dynamic body of work that highlights human rights and social issues.

Columbia College Chicago, an institution with deep Chicago roots dating back more than 135 years, facilitates the fellowship, demonstrating a strong commitment to socially engaged art. The program aligns with Columbia’s dedication to academic excellence and fostering authentic, creative voices while supporting artists and the communities they engage.

The Museum of Contemporary Photography (MoCP) at Columbia College Chicago is now a proud partner in the Diane Dammeyer Fellowship. In collaboration with Columbia College Chicago, MoCP provides additional curatorial and institutional support, further enhancing the fellowship’s impact by integrating the museum’s mission of advancing photography as a means of social engagement.

How does the Fellowship work?

Fellows serve as a critical link between artistic practice, their chosen community partners, and Columbia College Chicago. The program seeks opportunities where the fellow’s work elevates cultural awareness and embodies the values of care and social responsibility in action. Throughout the fellowship, artists co-create meaningful opportunities for engagement and learning with their community partners, culminating in a final public presentation.

Orientation and immersion within the selected community are key components of the fellowship. Fellows spend significant time listening and learning before identifying areas of focus. They then engage others in collaborative practice to amplify awareness of social issues and support community aspirations.

By partnering with MoCP, the fellowship now benefits from additional mentorship and resources, reinforcing the museum’s role as a hub for socially engaged photography.

Past Diane Dammeyer Fellowship Recipients

Beginning with a collaboration between Columbia College Chicago and leading global anti-poverty organization Heartland Alliance from 2015 to 2020, and now working with other Chicago community organizations including Centro Romero, the Diane Dammeyer Fellowship in Photographic Arts and Social Issues creates a space for a socially engaged creatives to produce a compelling and dynamic body of work highlighting human rights and social issues.

• 2024-2025 Fellow: Alessandro Bo

  Alessandro Bo (Mexico b.1982) is the 2024-25 Diane Dammeyer Fellow at Columbia College Chicago. In his projects, Alessandro Bo works from the point of view of an explorer of the everyday. He uses photography as a means to know and empathize with different characters, places and situations that question and transgress issues related to science, legends, myths and technology.

  Alessandro Bo was the winner of the scholarship of the Mexican Art Creators System (Fonca) 2021. He was nominated and published by the British Journal of Photography “Ones to watch 2019 and by the New York Times 2020. Alessandro Bo has exhibited nationally and internationally and published two books called Smail and Exótica by Inframundo Editorial, La Hydra (2018-19) finalists in the photobook contest TINTA Perú and Photo España Festival (2019). His work has been published for digital magazines such as (Der Greif Online, It’s Nice That, Don’t Take Pictures, C41 Magazine among others). Part of his work was published in PDN-Street Photography Award (2015), and he is a winner of the Master of Contemporary Photography IED scholarship in Spain (2018).

  Originally from Mexico City and currently based in Oaxaca, Alessandro Bo’s photographic research titled By the Fringe investigates the effects of gentrification in Oaxaca de Juárez, driven by tourism and American expatriates. His recent work focuses on the increasing number of individuals residing on the outskirts of major cities. As urban peripheries grow, they significantly influence city development and challenge conventional approaches to providing employment, recreation, affordable housing, and cultural infrastructure. This peripheral urbanization and sprawl not only exacerbate but also highlight social inequalities, pushing the working poor to the margins of urban areas. These conditions are a fundamental cause of migration from Mexico to the United States.

  By the Fringe consists of two main components. The first documents the Atoyac River, located on the outskirts of Oaxaca City, using its course as a reference point to provide an outsider’s perspective on this evolving territory. The second component focuses on documenting the urban periphery in collaboration with students from Columbia College Chicago and emerging photographers from Oaxaca. This urban archive created through a series of aesthetic walking practices along the city’s margins includes photographs, video footage, and collages. This work is showcased in a publication created by the artist and exhibited at the Glass Curtain Gallery in Chicago and the Pueblo Unido Gallery at Centro Romero during the summer of 2025. Additionally, it is displayed as wheat paste posters at the Oaxaca Escuela de muralismo.

  In January 2025, six students from Columbia College Chicago traveled to Oaxaca to collaborate for two weeks with six emerging photographers from Centro Fotográfico Manuel Álvarez Bravo (CFMAB). Under the guidance of Alessandro Bo, along with local artists Romina Hierro and Gerardo Mercado, and Columbia professor Peter Fitzpatrick, the team spent the first week on a walking exploration of the periphery of Oaxaca. The following week they focused on processing and refining the collected material for inclusion in an artist’s publication and upcoming exhibitions in Chicago and Oaxaca.

  

  Fellow Alessandro Bo selecting images for publication with Columbia students and Oaxacan emerging
  photographers.

• 2023-2024 Fellows: Oscar B. Castillo and Wil Sands

  Oscar Castillo is a documentary photographer, multimedia artist and educator born in Caracas, Venezuela. His work focuses on social subjects related to youth, identity, migration, the cycles of political rupture and violence and the initiatives for inclusion and community empowerment. His work has appeared in TIME Magazine, The New Yorker, NYT, Le Monde and The Wall Street Journal. He has exhibited internationally and received awards, grants, and fellowships from the Eugene Smith Grant, Magnum Foundation, Diane Dammeyer Foundation, Onassis Foundation, World Press Photo, Aperture / Paris Photo, Tim Hetherington Visionary Award among others. His photobook “Esos Que Saben” has been recognized by Mention of Honor at PhotoEspaña 2023, Shortlist Aperture / Paris Photo 2022, 20 Photobooks of the Year 2022 by TIME Magazine and is part of the photobook collection at the Museum of Modern Art.

  Wil Sands is a journalist and documentary photographer based in Mexico City, Mexico. As a journalist Wil is guided by the belief that journalism’s role is to “hold truth(s) to power”. As a photographer Wil searches for stories that add nuance and complexity to public discourse. His work seeks to challenge reductionist narratives that maintain the status quo. Co-founder of the Fractures Collective, Wil's reporting has appeared in major publications like The Washington Post, Wired Magazine and Harper's among many others.

  In 2023, migrant crossings at the U.S. southern border reached an all-time high. Hundreds of thousands of migrants, primarily from South and Central America, but increasingly from across the globe, journeyed north, driven by political upheaval, economic insecurity, climate breakdown, and violence in their home countries. For many migrants, the journey takes them across the Darién Gap, traversing thousands of miles, crossing multiple international borders, risking their lives for the promise of a better life. This historic movement of people is a well-documented, global phenomenon that has been accompanied by an increase in anti-immigrant sentiment and the tightening of immigration policy. Dissatisfied with the ways in which international media coverage flattens the immigrant experience, photojournalists Oscar Castillo and Wil Sands, began accompanying migrants from Venezuela to the U.S. in the fall of 2022.

  Borders Cruzadas critiques photographic, journalistic, and documentary traditions in installations that combine photographs, objects Castillo and Sands gather or are gifted by migrant collaborators, with materials produced in collaborative photo workshops. For Castillo and Sands, their installations form a bulwark against the ability of decontextualized images to feed anti-immigrant sentiment and policy. In response, Borders Cruzadas insists upon visualizing the multifaceted realities of the immigrant experience by expanding the photographic field.

  

  Oscar and Wil discuss their project with Columbia photography students.
• 2022-2023 Fellow: Dylan Yarbrough

  Dylan Yarbrough is Chicago based artist, photographer, and educator. He currently teaches photography at the School of the Art Institute of Chicago and Columbia College Chicago. Dylan has been recognized with awards such as the Diane Dammeyer Fellowship in Photographic Arts and Social Issues, Stuart Abelson Research Fellowship, and CPS Lives Artist Fellowship. His artwork is the collections of the Art Institute of Chicago, Museum of Contemporary Photography, Joan Flasch Artists' Book Collection, Center for Creative Photography, CPS Lives Collection, University of Arkansas at Little Rock, and various private collections. Dylan's artwork has exhibited at the Cleve Carney Museum of Art, Historic Arkansas Museum, Center for Creative Photography, Heaven Gallery, and Glass Curtain Gallery, among others.

  I Am An Eclipse is a socially engaged art project led by photographer Dylan Yarbrough and poet Marcela Ossa in conjunction with Centro Romero, a long-standing nonprofit organization supporting the immigrant and refugee community of Chicago. In the creation of this work, members of the Centro Romero community were prompted to write a short composition of creative nonfiction and to sit for a portrait. The resulting artwork is presented as diptychs, with the participant’s written composition displayed on the left panel and a silhouette portrait on the right panel. The written pieces encompass a range of styles, including poetry, short stories, testimonials, and reflections centered on the theme of “Eclipse.” The photographs, captured from a side view, utilize striking lighting to create a silhouette effect. The silhouette acts as an eclipse, simultaneously revealing and concealing the identity of the subject. The artwork invites viewers to reflect on themes of immigration, community, the power of testimony, and the forces of light and dark.

  

  It’s A Free Country, Chicago, 2023, Panel B. Courtesy of the artist.
• 2021-2022 Fellow: Melissa Ann Pinney

  Melissa Ann Pinney, who is a Columbia alum and part-time faculty member, is well known for colorful documentary style images of ordinary situations showing the social construction of American female identity. She has work included in the permanent collections of museums including The Art Institute of Chicago, J. Paul Getty Museum, Metropolitan Museum of Art, and Museum of Modern Art, among others. Pinney has exhibited her work nationally and internationally and has received numerous grants from the Illinois Arts Council, and the National Endowment for the Arts.

  In Their Own Light: Photographs from Chicago Public Schools is the story of young people and their exploration of identity emerging through friendships, school traditions, and mourning rituals. Students define themselves, having grown up as heirs to the Black Lives Matter movement, #MeToo and an insistence on gender fluidity. My five-year artist residency in Chicago Public Schools, began in a largely White elementary school and expanded to several predominately Black and Latinx high schools. When I began this work in 2018, I had no idea of what was to come. The project evolved and shifted as I found new opportunities to deepen connections with students even through an ongoing global pandemic, escalating racial and gender inequities and continuing gun violence.

  

  “Track Team, Ogden International High School” 2021; Courtesy of the artist.
• 2019-2021 Fellow: Jonathan Michael Castillo

  Jonathan Michael Castillo is a visual artist, photographer and educator based in Chicago. He is the 2019-2021 recipient of the Diane Dammeyer Fellowship in Photographic Arts and Social Issues. Jonathan was included in the 2021 Hyde Park Art Center's Ground Floor Biennial in Chicago and was a finalist for the WMA Commission in Hong Kong. His work has been featured with The New Yorker, Wired, CBS: Los Angeles, and Brazil's G1 Globo. He has appeared on the radio to discuss his photography on the BBC's “World Update” and local Los Angeles public radio programs KPCC and KCRW. Jonathan was recently commissioned to create a large-scale permanent installation of his work at O’Hare International Airport as part of the new Terminal 5expansion project. Exhibitions include those at Photo LA2020, the Center for Creative Photography, Aperture Gallery, House of Lucie, Filter Photo Gallery, Ralph Arnold Gallery and the California Museum of Art Thousand Oaks. Jonathan is represented by Samuel Maenhoudt Gallery in Belgium. His education includes a BFA from California State University Long Beach and MFA from Columbia College Chicago.

  Unaccompanied, features new work by Jonathan Michael Castillo created in Chicago and funded by the Diane Dammeyer Fellowship in Photographic Arts and Social Issues. This work was made across several youth shelters run by leading global human rights organization Heartland Alliance, that care for unaccompanied children after they have arrived in the United States without their parents. The photographic exhibition is the culmination of two years of involvement with Heartland programs that care for this uniquely vulnerable population.

  

  Unaccompanied installation view 202, Courtesy of the artist.
• 2018-2019 Fellow: Sasha Phyars-Burgess

  Sasha Phyars-Burgess was born in Brooklyn, New York to Trinidadian parents and raised in Bethlehem, Pennsylvania. She received a BA in photography from Bard College and an MFA from Cornell University. Her photographs employ a documentary style approach in order to view the domestic, the unsupervised, and the ordinary in an effort to explore the varied social, economic, and political realities of the African diaspora.

  UNTITLED AND YET TO BE DETERMINED, 41.8949° N, 87.7654° W (AUSTIN) grapples with the effects of disinvestment through redlining on the Austin neighborhood in Chicago. The exhibition is a collaborative effort told through photographs, video, text, and audio, resulting from time spent with two Heartland Alliance programs, the READI program and Mae Suites, as well as with other members of the Austin community. Heartland Alliance, one of the world’s leading anti-poverty organizations, works in communities in the U.S. and abroad to serve those who are homeless, living in poverty, or seeking safety. Through this exhibition, Phyars-Burgess raises more questions than answers, specifically, how do people make their lives in communities that have been segregated, neglected and ignored? The exhibition also includes a non-narrative documentary of the making of a film by READI participants.

  

  From the series UNTITLED AND YET TO BE DETERMINED, 41.8949° N, 87.7654° W (AUSTIN). Courtesy of the artist.
• 2017-2018 Fellow: Anahid Ghorbani

  Anahid Ghorbani received her MFA in Photography from Columbia College Chicago in 2017 and her BA in 2012 from Tehran University of Art in Iran. Engaged with creating site-specific installations that utilize photography and video, her goal is to engage, inform and invite dialogue around human rights. She has been included in exhibitions at the Tehran University of Art Gallery (2010, 2012), the Caroun Art Gallery, Vancouver (2014), The Center for Fine Art Photography, Colorado (2017) among others.

  The Edge of Shadows, explores issues of oppression, restriction of rights, and the contradictory fears of visibility and invisibility faced by immigrants and refugees. Ghorbani makes the invisible visible concerning this marginalized group, showcasing collaborative art she created with participants at Heartland Alliance, one of the world’s leading anti-poverty organizations, working in communities in the U.S. and abroad to serve those who are homeless, living in poverty, or seeking safety.

  Moving beyond being solely an observer, Ghorbani creates metaphors that speak to the heart of the dehumanization refugees and immigrants experience. She uses black as a visual metaphor for the suppression of the individual, using the absence of light as an indicator of the inability of refugees and immigrants to be recognized as human beings, with hopes, dreams, and rights. She invites her audience into layers of meaning by using poetic visual language to create forums for open discussion around these issues, with the goal of shining a light on the very real struggles these people engage with on a daily basis. She invites the viewer to not just understand the outrage, but to also inspire people to begin to think in new, more inclusive ways, inspired to reach across divides that now separate us.

  

  The Edge of Shadows Exhibition – Filter Gallery 2018. Courtesy of the artist.
• 2016-2017 Fellow: Ervin A Johnson

  Ervin A. Johnson was born and raised in Chicago. After graduating from the University of Illinois - Urbana Champaign with a bachelor's in Rhetoric he began work on his second bachelor's at Columbia College Chicago in photography and completed his MFA in photography at Savannah College of Art and Design. Ervin utilizes photo-based mixed media to reimagine his cultural and racial identity via photography and video. In his body of work, #InHonor, Ervin pays homage to the lives lost to police brutality and racism through a series of portraits (photo-based mixed media) created to honor Blackness. More specifically, it speaks to the racial violence and discrimination currently occurring across America, particularly in the form of police brutality. The faces in these portraits reference validation, representing not only individuals but in a deeper way the face of humanity.

  During the year of the fellowship, Ervin’s spent time in Englewood with Heartland Alliance staff and participants, where his #InHonor series evolved into a new iteration, #Monolith, which challenged the pre-conceived notion of Blackness as uniform, inflexible, and one-dimensional by constructing an image with elements from different portraits. The resulting work speaks to the complexity of identity and confronts the notion that Blackness is in and of itself can be articulated or understood superficially. His culminating exhibition at Gallery 19 featured an artist talk and samples of this work.

  

  Fellow: Ervin A Johnson
• 2015-2016 Fellow: Fereshteh Toosi

  The first recipient of the Diane Dammeyer Fellowship was local artist Fereshteh Toosi. Fereshteh describes herself as an activist-learner and is well established as a socially engaged artist. Her projects range from a food heritage and urban gardens project to a collaboration with artists at Stateville Prison through the Prison and Neighborhood Art Project. She has worked with seniors and youth on a GARLIC & GREENS project to document the stories of African Americans whose roots are in the southern United States, showcasing the culture and food traditions of families who traveled north during the Great Migration. Rather than telling the stories of the participants with whom she engages, she works to facilitate the individual’s own expression of their struggles and successes in life. As a social practice artist, her goal is to subvert the power of photography in social situations through a participatory, collaborative process with others.

  Fereshteh Toosi spent her year building relationships with the residents of Leland Apartments, an affordable housing building run by Heartland Alliance in the Uptown neighborhood of Chicago. She led workshops with residents, sharing with them accessible photographic techniques such as scannergrams, thermal portraits, direct animation and chemigrams. Her culminating work was a presentation at the Bezazian Branch of the Chicago Public Library in Uptown, which included a screening of collaborative animation by Leland Apartments residents as well as an expanded cinema piece by Toosi that incorporates live music and manipulation of archival educational films.

  

  Fellow: Fereshteh Toosi

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